#1 Emotional tempo upon awakening: Andante con moto.
#2 MOTIVATION: Beethoven’s Piano Sonata No. 23 in F Minor Op. 57 (“Appassionata”) played by Claudio Arrau in Berlin 1970. Blissful 26-minute journey.
#3 MEDITATION: Bach’s Toccata and Fugue in D minor retooled for flute by Jean-Claude Veilhan and performed by Helene Schulthess inside the 800-year-old Swiss church of St. Peter in Mistail. Schulthess uses the church’s impenetrable walls and echoes to create beguiling depth for the nearly 10-minute composition.
It reminds me (only slightly, but just enough) of Paul Horn’s “Inside” (1969), A jazz flutist, Horn took his instrument and some recording equipment inside the Taj Mahal and used the building’s echoey acoustics as his backup band. Continue reading →
#1 CONNECTED: Rose Alcantara’s daughter, Caira Button, celebrates her birthday today, far from her Chicago home but in very good company in Western New York. Rose sang Happy Birthday to her from our home in Mexico. Technology rocks.
#1A FACETIME WITH FAMILY: Spent almost an hour in a video chat with Ryan and Larisa and grandson Augie, who is saying his first words! They remain in place in San Francisco where it can’t be easy. One of the world’s most beautiful cities outside your door … and you can only look out your window.
#2 BIG OOPS: The worst thing you can do upon waking is open up Facebook. Trust me, bad news accumulates while you sleep. All this rage with no outlet …
#3 WELCOME RELIEF: Found in Garrison Keillor’s Letter from Manhattan. Crafting good limericks and simplifying life — that’s the life. “It’s been a quiet week in apartment 12B.” That’s the stuff.
#4 TELEVISION: “CBS Sunday Morning” is like nestling in with an old friend. I can hear my blood pressure settling down for the day.
#6 PAIRINGS: Pink Floyd’s “Ummagumma” goes especially well with Gore Vidal’s 1977 essay “On Re-reading The Oz Books” from the New York Review of Books archives.
L. Frank Baum wrote 14 “Oz” books, the unevenness of which Vidal excuses because the man was writing 48 other books at the same time.
I’ll admit it, “Ummagumma” and me on psychedelics did not go well in late-1969. It goes better with the Wizard of Oz. Wish I knew that then …
#7 VIDEO: I’m not sure where I found it but there is an amazing video of liquid-limbed hipsters holding a dance-off to the Devil’s Music, jazz, baby. On further research, I found an 8-minute version that says this is a Sunday night party during the Jazz Roots Festival in Paris in 2015. Swing, baby, swing.
#8 I WROTE A POEM: Titled “Remembering to Dance Like Nothing Else Matters.” The first half was inspired by this video and the rest is based on something that happened to me in the early-1980’s in Rosarito Beach, Baja, Mexico. I’m not a poet. These things just happen.
#9 PODCAST: While walking Moppit tonight, I tuned into the New York Times show “The Daily.” On Sundays, the program presents a spoken piece of long-form journalism borrowed from partner app AUDM. Today’s is “The Woman Who Might Find Us Another Earth.” Sara Seger is a brilliant astrophysicist, a certified genius, but befuddled by the most common challenges of living on Earth.
#10 SHORT STORY: Edna Ferber’s “The Gay Old Dog”(1917). Chicago man becomes a Loop-hound. That is not a compliment, or, wasn’t back in the day.
#11 I leave you with this, the BEST PLAGUE PARODY SONG YET:
On March 27 I began logging my day’s activities into my now-useless appointment calendar. For the time being, there would be no luncheon dates, no concerts, no coffee meetups, no flights to visit grandchildren, no weddings, no visit to Mexico City with friends.
But how was I filling my days? They seemed to be drifting — without recollection of where I’d been, what I’d accomplished, where I was headed — from one gray fog-bound sea to the next.
“Naps,” seemed to be the only achievement that I recalled with any clarity. That, and pointlessly angry and condescending posts on Facebook. I had to be doing more than clicking “Like,” “Angry, “and “Love” buttons, right? Oh, and “HaHa.” Continue reading →
Decontamination crews are spraying down the streets of San Miguel de Allende today. The visuals alone ought to drive the doubters indoors. (Photograph by John Bohnel)
So, Mexico entered Phase 2 on Tuesday. While the president still hugs and kisses the babies and young girls, his Health secretary has called for restaurants and casinos to be closed, for public gatherings to disperse — you know, the same stuff we have been doing in San Miguel for a couple of weeks now.
Only, a lot less.
Phase 2 is clinically called the “community transmission phase.”
Phase 2 feels like Mom calling the kids inside to safety — after it starts raining. The kids have been playing outside, conscious of the dark clouds building. Continue reading →
A two-character, three-page play written to honor a talented theater critic, newspaper colleague, and friend who just announced an early retirement. The characters in this play no way resemble my friend. That would be purely coincidental …
Curtain goes up, in an empty theater.
On an empty stage, two characters face each other. One, Jim, is fully lit. The other is in the shadows. We enter in the middle of a conversation.
Just before 4 p.m. on a brilliant and blazing Sunday afternoon in San Miguel de Allende the sound of a boombox rose above the usual bustle and cacophony of the Jardin Principal.
As if on cue, the several venders with their bright balloons and bouncing pencils were swept away like neon flotsam and jetsam on the shore.
A lone, tall, leggy blonde in jeans and a black top stepped to center stage and began to dance. She got the attention of the milling crowd. A second woman, all in black, bounded into the open space and the two danced as one. (Full disclosure: Woman No. 2 was my wife, Rose Alcantara.) Continue reading →