Interesting question raised by a former newspaper colleague and a Poynter institute column: “Should journalists play a role in identifying rioters?”
That’s the headline and based on it alone, the answer is, of course. Media goes after the facts and a big chunk of the facts from last week’s Washington riot answers the question: Who the hell were these people?
The more-specific and thornier question is: “Should the media turn over unpublished documentation, especially photographs, to law enforcement upon request?”
I stare at this photograph that I took in — when was it? — 1970? 1971? I stare and I wonder, how many of my fellow Vietnam War protesters were part of the thuggery that took place this week at the Capitol?
Some, for sure. They would be in their very late-60s and mid-70s now. I was 21 when I snapped these photos.
A friend who just saw them asked, “Did you and your fellow hippies storm the Capitol?”
Well, thank god that’s over. The year, I mean. 2020.
I’ve had just about enough of it and I suspect you have too. Not that 2021 will start off so terribly different. Well, there is the regime change, an inauguration, and the eradication of four years of shitty people running the country.
It will take time, lots of vaccinations, still more wine than we should be consuming, and a Democratic majority in Congress — up to you, Georgia.
Merry Christmas from beautiful San Miguel de Allende, a city that is no more beautiful than on Christmas Eve.
The city has been decorated for weeks but we waited until this evening to walk through historic Centro. A perfect night for it — the temperature dropped suddenly, the wind picked up slightly, and there were ever so few people out and about.
This is just a brisk tour through the center of this magical city. I took some photos while Rose handed out tangerines and caps that she’d knitted to a few people. Moppit just sniffed the curbs and wondered why we kept stopping to take in the beauty of it all.
The authors reach some conclusions that are bound to hurt dedicated, hard-working crime-beat reporters and their editors:
“This should be the year where we finally abolish the crime beat. Study after study shows how the media’s overemphasis on crime makes people feel less safe than they really are and negatively shapes public policy around the criminal–legal system. And study after study shows that it’s racist and inhumane.”
In better times, Prose Cafe is a gathering of writers and others (mostly other writers, I think) in the beautiful Belles Artes. Three or four writers would each read something and take questions. I always found the cafe sessions inspirational. I imagined myself — some day, not right away — being just like them, having something of worth to share with other writers.
These days, Prose Cafe and its sister gathering, Poetry Cafe, are ZOOM affairs. They are both the offspring of the San Miguel Literary Sala whose wonderful Writers Conference is currently underway — on ZOOM, of course.
I shared the ZOOM space on Thursday, Dec. 3 with two accomplished authors, Molly Giles and Fredrika Sprengle. Both have published works — award-winning books, short stories. I have nearly four decades of newspaper clippings. A good mix, as it turned out. We all leaven our prose (and pain?) with humor.
What follows is the story that I read. As I told the ZOOM audience, this is a work of fiction, except for the parts that are true. (You figure it out).
It is one of a number of short stories in the file marked “Seminary Life” that may yet grow into a full-sized novel.
Declaring war on … well, everybody
It was the beginning of the end — the end of my days as a Catholic seminarian. It came the moment I picked up that heavy metal bucket full of dirty water and heaved it out the third floor window. Sending a loud and long string of curses cascading after it.
Chadwick Boseman is Levee in “Ma Rainey’s Black Bottom.” It was his last performance as an actor before passing away in August.
Netflix begins streaming “Ma Rainey’s Black Bottom” on December 18. The August Wilson play has enjoyed an excellent life on Broadway and beyond. And for good reason. It is a powerful creation.
I think that in the Denzel Washington-produced movie we will see what a treasure and tragic loss was the death of Chadwick Boseman in August. This was his last performance.
This most recent news from Netflix sends me back nearly to the creation of the play, in 1982.
That’s me, bookended by two actual accomplished and brilliant authors at San Miguel de Allende’s monthly Prose Café. It is happening this Thursday, Dec. 3, 5-6 p.m. Central.
Fredrika, Molly and I will each read something from our own creations and then entertain, oh my, whatever it is that Zoom events generate. Questions? Observations? Static? (That last one’s my personal nightmare. Not theirs.)
May I start by saying that photographing San Miguel de Allende’s new Urban Art Gallery in a highway underpass is best not done during Friday morning rush-hour traffic.
I mean, really, at how many art galleries can you say you take your life into your hands stepping out in front of a picture, trying to take a decent photograph?
Nevertheless, that is when I got there and that is when these photos were taken.
Merle Herrera has made stunning progress in a day as her image comes to life. ————————————————————————–
It is Day Three of San Miguel de Allende’s first-ever Urban Art Gallery and the creations of our 10 street artists show an incredible variety of tastes, styles, techniques, and mediums.
What was mere sketchy outlines on Monday, became splashes and dashes of color here and there on Tuesday and by 5 p.m. today, their full-blown visions were apparent in all their glory.
And this once graffiti-splattered underpass of the Libramente will never be the same.
