Rants and raves, San Miguel de Allende, Writings

The Log: April 22, I’m back and I’ve got this headful of stuff I need to tell you …

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Miss me? These days you can’t say “I am sick” without sending tremors through the universe. But now I can say, “I was sick, for a couple of days.” Whatever the symptoms, they did not add up to COVID 19.

I was just sick. And now I’m better and life goes on and gratitude pours in to fill the void.

As many of you know, when you are sick, you basically do nothing. So, since I sense you don’t want unnecessary detail on nose-blowing and sneezing, let’s say I did nothing of note (“Honk!” … sorry) on Monday and Tuesday.

But here’s today’s ANNOTATED LOG!: Continue reading

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#smwc2020, San Miguel de Allende, Writings

In a chaotic world, writers play with the traditional structure of novels

Arbol-Literario-banner-2The recently concluded San Miguel Writers Conference and Literary Festival made one thing pretty clear: Playing with time and structure, in the hands of inventive authors, makes for storytelling that is both challenging and riveting.

The chronological timeline seems so passe, when you add up the considerable success of the featured keynote authors.

Consider: 

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#smwc2020, San Miguel de Allende

Delia Owens explores impact of isolation in ‘Where the Crawdads Sing,’ and discovers millions of friends

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Hal Wake and author Delia Owens dazzle a sold-out Gran Salon Ballroom at the Hotel Real de Minas during the closing night of the 15th annual San Miguel Writers’ Convention. (Photo by Mary Finley)

Select one of the following:

  1. “Where the Crawdads Sing” is a stunning debut novel about a young girl who grows up alone in a North Carolina swamp with only Nature to nurture her. Her story if folded within a tale of romance and a murder mystery.
  2. “Where the Crawdads Sing” is a science-based allegory about the primal needs of mammals for community and the impact and consequences of growing up outside the socializing influence of the herd.
  3. “Where the Crawdads Sing” is a figment of your imagination because, good lawd dahling, everyone knows crawdads do not sing.
  4. The correct answer is a combination of bits and pieces of A, B, and C.

You said “D”?

Yes, you did. I distinctly heard you say “D” under your breath. Don’t try and wriggle out of it now. You said “D”!

Well, you are correct. Continue reading

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#smwc2020, San Miguel de Allende, Writings

Poet Juan Felipe Herrera: Tell someone today, ‘You have a beautiful voice’

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Poet and author Juan Felipe Herrera reads from one of his 30 published books at the San Miguel Writers’ Conference and Literary Festival #smwc2020 on Saturday, Feb. 15, 2020.

Prologue: Juan Felipe Herrera was Poet Laureate of the United States 2015-17. He is an artist, a teacher, the author of 30 books across all genres, and he plays a mean harmonica.

As a keynote speaker at the 15th annual San Miguel Writers’ Conference and Literary Festival, Herrera put the harmonica to good use. He also introduced plenty of “participatory poetry,” goading on the audience to share the load as he read his poems.

Herrera’s commentary is every bit as poetic as his published works. In fact, it was hard sometimes to see where his beguiling banter ended and a poem began.

Herrera’s life was a rough one from the start. His family traveled up and down California in the migrant labor trucks, from harvest to harvest.  Continue reading

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San Miguel de Allende

A night with author Colum McCann in 21 cantos

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Colum McCann signing books after his talk at the San Miguel Writers’ Conference this week.

Colm McCann came to the United States as a young man to write the great novel. When he got there he discovered he had nothing to say. So he bought a bicycle and pedaled out of Boston in search of a Muse. A year and a half and 8,000 miles and many flat tires later, he rolled into San Francisco a changed man.

Along the way, he collected hundreds of stories and made some profound discoveries about people and himself.

Everyone should try that at least once. (My recommendation, not necessarily Colum’s.)

Or, try this. When Tommy Orange was writing “There There,” and found himself in a hole, he’d strap on his running shoes and go for a long-distance run. He ended up with “good solutions and really bad poetry.”

OK, let’s stop here for a moment. Continue reading

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#smwc2020, San Miguel de Allende, Writings

Welcome to the many rooms of author Madeleine Thien

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Madeleine Thien signing books after her keynote address at #smwc2020 on Wednesday.

If the author Madeleine Thien were an Air B&B, there would be a waiting list 600 people strong to occupy her rooms.

The rooms of her imagination, the rooms of her research, the rooms of metaphor, and tangible rooms of exacting detail. The rooms of her prose and connectedness to the great minds of 20th Century theorists and the early Enlightenment, 17th-century rationalists hunted and scorned by church and body politic alike for questioning the composition and very existence of their God.

What brilliant yet challenging rooms they are, in the prose of Thien.

Spinoza’s rooms, for certain. And Martin Heidegger’s. And the adjoining and more intricately appointed rooms of the mind of his acolyte and lover, Hannah Arendt. Philosophers all who wove brilliant thoughts, existential transports, with universe-spanning concepts that transcended time, space, and dimension. Continue reading

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San Miguel de Allende, Writings

Sam Donaldson agrees: The ‘warm-up band’ (Alison Wright) stole the show

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Photographer Alison Wright and ABC newsman Sam Donaldson share a moment after delivering their talks in San Miguel de Allende, Mexico, on Feb.29.

While globe-trotting photographer Alison Wright billed herself as “the warm-up band for Sam Donaldson” and begged the audience not to boo her off stage with shouts of “Sam! Sam! Sam!,” the retired ABC newsman had a whole other take on the evening.

Wright and Donaldson were co-headliners before a packed Literary Society house in the HRM Ballroom in San Miguel de Allende on Wednesday, Jan. 29.

When Donaldson stood up to speak, he was clearly awed by the sometimes harrowing tales and stunning photographs presented by Wright, a featured National Geographic photographer.

“I’ve always believed that you don’t follow dogs or children onstage,” intoned Donaldson, “to which I’ll add, ‘Don’t follow Alison Wright!’ “ Continue reading

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