Memoirs -- fact and fiction, Rants and raves, San Miguel de Allende, Writings

The Log for May 13: Hey, brother, can you loan me a dime for a ride into the mystic?

IMG_1672Oh, this day has begun all right — an All-Music Morning for Wednesday.

#1  “The Girl In Byakkoya,” Susumu Hirasawa,  from the animated film “Paprika.” This is the music that gets you up and moving. Check out the movie, too — anime magical surrealism at its finest. A mad enormously ballooning parade that absorbs everybody, everything — all energy  — as it progresses. Who can stop it? And how?

#2  Delbert McClinton channels his inner-Tony Bennett and sings about “San Miguel”! (Even mentions San Francisco in the first line … (Thanks for the tip, Robert Cooksey.) Continue reading

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Memoirs -- fact and fiction, Rants and raves, San Miguel de Allende, Writings

The Log for May 8: First Lady documentary ‘Becoming,’ Alice Walker, Dylan, Prokofiev

IMG_1617FARM-TO-TABLE LINKS & ANNOTATIONS, RAISED HUMANELY IN DIGITAL INCUBATOR:

#1 Dog walks are meant for podcasts. Longer walks mean even MORE podcasts:

a) Fresh Air: Chef Tom Colicchio talks about what it will take for restaurants to survive.

      b)  NYT The Daily: Arrival of the murder hornets and The Chinese Lab theory.

c)  NPR Up First: Unemployment numbers.

d) NYT Sugar Calling: Cheryl Strayed talks with Alice Walker. “Whatever we have, we have to work with it.” (Strayed’s weekly podcast has hosted writers Amy Tan, Judy Blume, Pico Iyer, Margaret Attwood,  and George Saunders.

#2 VISIT: The talk with Alice Walker sent me to her website. Filled with commentaries and poems and nods to essays of others. The first two lines of her poem “True Success” really got me: Continue reading

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Rants and raves, San Miguel de Allende

The Log: May 3 — Media keep asking the rich & famous how they are ‘coping.’ Who cares?

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GET YER RED HOT COVID-FREE ANNOTATIONS!

# 1 WATCHED: “CBS Sunday Morning” — It must be crazy hard to put together a news/variety TV program in the Time of Pandemic but CBS does a very good job with “Sunday Morning.”

They tend to interview a lot of celebrities, artists, and actors which is fine. That’s probably what people want to see on Sunday mornings with their coffee and bagels.

But they — like a lot of other TV shows — have got to stop asking these people how they are getting on. It is obvious when you look at their surroundings that they are doing just fine — though they all miss the attention. But the answers are the ones you’d expect from a working class family in a single-room walkup with no electricity: Stuff like “making do” and “hunkering down.” Continue reading

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Rants and raves, San Miguel de Allende, Writings

The Log: April 28 — Eva Cassidy is proof that there is life after death

IMG_1477#1 Emotional tempo upon awakening: Andante con moto.

#2 MOTIVATION: Beethoven’s Piano Sonata No. 23 in F Minor Op. 57 (“Appassionata”) played by Claudio Arrau in Berlin 1970. Blissful 26-minute journey.

#3 MEDITATION: Bach’s Toccata and Fugue in D minor retooled for flute by Jean-Claude Veilhan and performed by Helene Schulthess inside the 800-year-old Swiss church of St. Peter in Mistail. Schulthess uses the church’s impenetrable walls and echoes to create beguiling depth for the nearly 10-minute composition.

It reminds me (only slightly, but just enough) of Paul Horn’s “Inside” (1969), A jazz flutist, Horn took his instrument and some recording equipment inside the Taj Mahal and used the building’s echoey acoustics as his backup band. Continue reading

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San Miguel de Allende, Writings

The Log: April 24 — Stories help us understand, Alicia Keys helps us heal

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FREE ANNOTATION AND HOT LINKS:

#1. GREAT ESCAPE: The plan was for me to get up early and walk Moppit so Rose could take an online yoga class before the sun turned up the heat.

The internet was down.

Continue reading

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Rants and raves, San Miguel de Allende, Writings

The Log: April 22, I’m back and I’ve got this headful of stuff I need to tell you …

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Miss me? These days you can’t say “I am sick” without sending tremors through the universe. But now I can say, “I was sick, for a couple of days.” Whatever the symptoms, they did not add up to COVID 19.

I was just sick. And now I’m better and life goes on and gratitude pours in to fill the void.

As many of you know, when you are sick, you basically do nothing. So, since I sense you don’t want unnecessary detail on nose-blowing and sneezing, let’s say I did nothing of note (“Honk!” … sorry) on Monday and Tuesday.

But here’s today’s ANNOTATED LOG!: Continue reading

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Memoirs -- fact and fiction, San Miguel de Allende, Writings

When your kids hand you a slice of home-made ‘American Pie,’ devour it with delight

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A scene from Ambergris Cay, Belize, on Easter morning, 2015. The building on stilts is called “The Wedding Shack.”  At one time, newlyweds were rowed out there and abandoned until they consummated their marriage — or ran out of champagne.

It is not every year that a man turns 70, especially in a year when a global contagion seems to be targeting his demographic with the determination of an avenging angel.

Virus or no virus, I never expected to see this day. In truth, I never expected to see 30, or 40, or … well, you get the picture. I’ve always had this premonition, like a renewable annuity, that this decade or the next could very well be my last. Continue reading

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San Miguel de Allende, Writings

Remembering to dance like nothing else matters

Mural by Thomas Hart Benton

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Enough. Stop.

 Let the outrage machine simmer.

Turn off the echo chamber. 

Take a breath. Exhale.

Invest six minutes in some simple joy. 

Maybe a memory or a YouTube video

Search for something like:

“Crazy good dancing”

And see what comes up.

Wantonly happy dancers

All legs and jazz and smiles

Effortless abandon belying the practice, practice, practice.

Lose yourself in the motion

In the ecstasy

In the rhythm and youth and heat and sweat.

Remember all the times you

Could have danced and chose not to.

Too late for regret but ample time

To remember.

And wonder if every step not taken

On some lacquered floor

Now rises up like bile,

Angry fingers dancing across a cold keyboard

Dance, dance in your room.

Dance, dance in your yard.

Dance, dance in the office.

Dance, dance in your cubicle.

Dance, dance in the post-op.

Dance, dance in the checkout line.

Dance, dance on ZOOM with everyone you know and strangers.

For once, we have the space to dance.

Social distancing creates its own stage.

Dance as if the sanity and safety

Of the whole world depends 

On your awkward, gangly, unique

Beautiful, joyous, free steps.

Don’t post, don’t throw more flames on

Facebook fires already consumed.

Step away from the keyboard

And dance, dance, dance.

Recall that long-ago Sunday trip

To storied Rosarito Beach Hotel,

Safely south of Tijuana’s gamey streets.

A womb of illusions and harmless fantasies,

Behind ancient stone walls,

 And thick oak doors. An escape

For those who could not afford a flight,

Could not afford a house in Palm Springs,

Missed the invite to Malibu.

The bar on the bluff

Overlooking the crystalline capped surf

Contained like a landscape in glass windows

And tinkling bar glasses

All glass and lapping cerulean expanses.

Like flying. Above it all.

With a white baby grand on a lemon oak-panel floor.

And kids, Hollywood kids

Refugees from the studio lots and unemployment lines

And waitress jobs, and parking lots

All tumbled down to Rosarito, answering a primal cry 

For something exotic, something foreign

Something away, just far enough away

To rekindle thwarted dreams

Here, in the Rosarito’s bar

We’re all somewhat mysterious celebrities,

Stars on the lam, like Gable, Lombard, Bogie.

Bar the doors to the imaginary paparazzi,

Warm up the piano, 

Let the revue begin! What

Did they say … Let’s put on a show!

Kids with a thick dossier of rejections

And even more talent

Leap to the floor

Singing and dancing with abandon

Sweaty abandon, finely honed and practiced abandon

From high school musicals and college debuts

And second rows on stage

And gaudy rock-star glutted stripper bars.

Icy margaritas fuel scorching  moves, 

torching songs.

Saucy, sultry, racy chops

Designed for the lines of thin summer dresses

And nicely fitted khaki slacks and T’s.

Star-struck dreams are tossed, 

With flaming hot ambitions, 

Into the dance floor bonfire,

Like nothing matters, when

Come Monday,

Everything will.

But not now, god willing, not now.

Now is only the music and the chops

And the hothouse air and tropic sun

And shimmering mirrored ocean below

And Spanish exclamations from smiling bartenders

And the illusion that we are all 

In a Cinemascope Technicolor

Foreign film, the script of which,

Is within our own power

To write.

Every moment is a closeup

Everyone is a star. Everyone is

Hitting it big.

Monday is an opening-night away.

More margaritas, amigos.

More music, more dance, more song

For up North, a thousand more

Just like us

Are having their dreams coddled and crushed

On the mercilessly hot streets of Hollywood.

But not you, not me

Not today.

The war will still be raging when we return.

 But we will rejoin the fray with smiles

A new, fresh look for the face. 

Isn’t that worth it?

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San Miguel de Allende

We settle in, as an edgy quiet descends upon San Miguel de Allende, like freshly fallen snow

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Sunshine showers down on the campo as Zangunga’s Sunday crowd heads for home one last time — for now at least.

San Miguel de Allende is not yet a ghost town, but it is awfully quiet. 

On Saturday there were five hot air balloons crossing the sky as I took Moppit out for her morning walk. Today, there were none.

San Miguel’s edgiest T-shirt shop (“Any design you want, in black and white only”) has had a “Pinche Trump” T-shirt in the window for as long as I can remember. Today, a new shirt reigns: “Keep Calm and Wash Your Hands.”

Available in black Continue reading

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San Miguel de Allende

Dancing for the lives of all women

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Just before 4 p.m. on a brilliant and blazing Sunday afternoon in San Miguel de Allende the sound of a boombox rose above the usual bustle and cacophony of the Jardin Principal.

As if on cue, the several venders with their bright balloons and bouncing pencils were swept away like neon flotsam and jetsam on the shore.

A lone, tall, leggy blonde in jeans and a black top stepped to center stage and began to dance. She got the attention of the milling crowd. A second woman, all in black, bounded into the open space and the two danced as one. (Full disclosure: Woman No. 2 was my wife, Rose Alcantara.) Continue reading

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