Oh, this day has begun all right — an All-Music Morning for Wednesday.
#1 “The Girl In Byakkoya,” Susumu Hirasawa, from the animated film “Paprika.” This is the music that gets you up and moving. Check out the movie, too — anime magical surrealism at its finest. A mad enormously ballooning parade that absorbs everybody, everything — all energy — as it progresses. Who can stop it? And how?
#2 Delbert McClinton channels his inner-Tony Bennett and sings about “San Miguel”! (Even mentions San Francisco in the first line … (Thanks for the tip, Robert Cooksey.) Continue reading →
d) NYT Sugar Calling:Cheryl Strayed talks with Alice Walker. “Whatever we have, we have to work with it.” (Strayed’s weekly podcast has hosted writers Amy Tan, Judy Blume, Pico Iyer, Margaret Attwood, and George Saunders.
# 1 WATCHED: “CBS Sunday Morning” — It must be crazy hard to put together a news/variety TV program in the Time of Pandemic but CBS does a very good job with “Sunday Morning.”
They tend to interview a lot of celebrities, artists, and actors which is fine. That’s probably what people want to see on Sunday mornings with their coffee and bagels.
But they — like a lot of other TV shows — have got to stop asking these people how they are getting on. It is obvious when you look at their surroundings that they are doing just fine — though they all miss the attention. But the answers are the ones you’d expect from a working class family in a single-room walkup with no electricity: Stuff like “making do” and “hunkering down.” Continue reading →
#1 Emotional tempo upon awakening: Andante con moto.
#2 MOTIVATION: Beethoven’s Piano Sonata No. 23 in F Minor Op. 57 (“Appassionata”) played by Claudio Arrau in Berlin 1970. Blissful 26-minute journey.
#3 MEDITATION: Bach’s Toccata and Fugue in D minor retooled for flute by Jean-Claude Veilhan and performed by Helene Schulthess inside the 800-year-old Swiss church of St. Peter in Mistail. Schulthess uses the church’s impenetrable walls and echoes to create beguiling depth for the nearly 10-minute composition.
It reminds me (only slightly, but just enough) of Paul Horn’s “Inside” (1969), A jazz flutist, Horn took his instrument and some recording equipment inside the Taj Mahal and used the building’s echoey acoustics as his backup band. Continue reading →
Miss me? These days you can’t say “I am sick” without sending tremors through the universe. But now I can say, “I was sick, for a couple of days.” Whatever the symptoms, they did not add up to COVID 19.
I was just sick. And now I’m better and life goes on and gratitude pours in to fill the void.
As many of you know, when you are sick, you basically do nothing. So, since I sense you don’t want unnecessary detail on nose-blowing and sneezing, let’s say I did nothing of note (“Honk!” … sorry) on Monday and Tuesday.
A scene from Ambergris Cay, Belize, on Easter morning, 2015. The building on stilts is called “The Wedding Shack.” At one time, newlyweds were rowed out there and abandoned until they consummated their marriage — or ran out of champagne.
It is not every year that a man turns 70, especially in a year when a global contagion seems to be targeting his demographic with the determination of an avenging angel.
Virus or no virus, I never expected to see this day. In truth, I never expected to see 30, or 40, or … well, you get the picture. I’ve always had this premonition, like a renewable annuity, that this decade or the next could very well be my last. Continue reading →
Sunshine showers down on the campo as Zangunga’s Sunday crowd heads for home one last time — for now at least.
San Miguel de Allende is not yet a ghost town, but it is awfully quiet.
On Saturday there were five hot air balloons crossing the sky as I took Moppit out for her morning walk. Today, there were none.
San Miguel’s edgiest T-shirt shop (“Any design you want, in black and white only”) has had a “Pinche Trump” T-shirt in the window for as long as I can remember. Today, a new shirt reigns: “Keep Calm and Wash Your Hands.”
Just before 4 p.m. on a brilliant and blazing Sunday afternoon in San Miguel de Allende the sound of a boombox rose above the usual bustle and cacophony of the Jardin Principal.
As if on cue, the several venders with their bright balloons and bouncing pencils were swept away like neon flotsam and jetsam on the shore.
A lone, tall, leggy blonde in jeans and a black top stepped to center stage and began to dance. She got the attention of the milling crowd. A second woman, all in black, bounded into the open space and the two danced as one. (Full disclosure: Woman No. 2 was my wife, Rose Alcantara.) Continue reading →