Writings

Essay: That time Guy Raz interviewed Satan on the NPR podcast “How I Built This”

But first, my May 11, 2021 rejection letter (OK, e-mail) from The New Yorker for an essay that I submitted on Nov. 6, 2021. I am glad they fixed the issue.

Dear Submitter, 

We’re sorry to say that your piece wasn’t right for us. Thank you for allowing us to consider your work. Apologies for the delay in response. We fixed the issue and will respond to submissions more quickly moving forward.Best regards,
The Shouts Dept.
The New Yorker

The rejection-worthy essay:

That time Guy Raz interviewed Satan on the NPR podcast “How I Built This”

Guy Raz: He survived a hellish childhood — no mother, no father, kicked out of the only home he’d known at a tender age. As a teenager, he wanted to be a rock star, like the Beatles, but he lacked the essential good looks and talent.

An accidental career in high-tech inspired him to create the first app –but it failed miserably. Nonetheless, components of it made possible the creation of several of the biggest giants in technology today. Not only did our guest invent technology, he invested cash in the industry and has become one of the wealthiest tech entrepreneurs in the world.

He learned early on that falls from great heights can lead to greater things, if you stay with it long enough.

Our guest on NPR’s “How I Built This” today is Satan. Welcome to the program, Satan. Is that your full name or do you prefer another these days?

Satan: Thank you, Guy. It is a pleasure to be here. I am known by many names but Satan is the one most people seem to remember. I’m good with that.

And by the way, it’s the wealthiest tech entrepreneur in the world, not “one of.”

Guy Raz: So noted. I know that is a big thing among you guys at the top. So, in the mid-1960s you decided to go corporeal. Was that part of a greater plan?

Satan: I’ll be honest, Guy, I just wanted to meet girls. One of the benefits and challenges of being a fallen angel is that you are no longer an asexual creature of God. The upside is, you can play the field. The downside is, there are few disembodied spirits of the opposite sex. In fact, none.

When I started seeing the kind of thing that four homely musicians were onto — girls throwing themselves at you, girls screaming and tearing your clothes well, I thought, that’s worth a try.

Guy Raz: Sadly though, it wouldn’t work out for you. Why is that?

Satan: Very true, Guy. This is around the time I learned a valuable entrepreneurial lesson about failing upward. My first pass-through at becoming corporeal was a disaster. I came back as a talentless, acned, dullard of a 16-year-old boy. 

Guy Raz: Be careful what you wish for, huh?

Satan: You bet. It would be years before I could come up with punk rock and even then, the kind of girls drawn to me weren’t what I was hoping for. Contrary to the stories, I have never been a fan of tattoos or tongue studs. Still, punk rock was a living. For a while.

Guy Raz: Around about that time, toward the end of your venture into punk rock, you stumbled across an incredible idea that sadly went nowhere. What was that?

Satan: So true, Guy. In the early 1980s — about the time Disco came into being, something I wanted to distance myself from, by the way  — I created the first-ever app for the iPhone. 

Mind you, it was a primitive thing. It told you the weather and it could sell you umbrellas, sunscreen, and down jackets — according to the current conditions. You could search for weather in other places. That was a neat feature. I was thinking of offering a line of beach novels that users could buy in the summertime, too. You could also rate the weather on a five-star system, from Not-so-hot to Hottest. Here’s the best part, every time you used it, your data was sent back to this massive mainframe computer, although I had no idea at the time what we’d do with it.

I thought it was useful and that people would like it and that girls would be attracted to geeky guys who invented such things.

Guy Raz: So in one app you had an information component, a search mechanism, a sales component, a method of rating things, and a data collection scheme. Pretty impressive for the time. But it failed. Why was that?

Satan: Well, as you and I both know now, the Internet as we know it, hadn’t been invented yet. Nor had iPhones. Also, people were pretty repulsed by the idea of down jackets back then — big ugly bulky things that made you sneeze and that only Chinese soldiers wore.

Guy Raz: But you didn’t give up, did you?

Satan: To be honest, I did for a while. That one really hurt and I was in for a lot of money. When I heard from an … let’s call it an investment angel … how long it would take until a viable Internet and cell phone would be on the market, I decided to go to college.

Guy Raz: And that was at …

Satan: Harvard. Why screw around, eh? When you’re an almighty being, even a fallen one, always travel first class.

Guy Raz: And when was that?

Satan: Let’s see … I started in 2006 as a Freshman, living in Kirkland House.

Guy Raz:That was a fortuitous time to enter Harvard. Want to tell us why?

Satan: Well, I got lucky, considering my recent past. I fell in with some pretty geeky guys who sat around talking about girls a lot. I mean a lot. They would spend hours ranking girls on paper, arguing about their rankings, then photocopy the results, and post them up on bulletin boards.

I felt I was getting a little too mature for this sophomoric behavior but there was something familiar about their process. So, I went up to the guy in the bunch who seemed to have the most on the ball and said, “You know, Mark, there’s a better way to do this.”

Guy Raz: And did he listen?

Satan: Seriously, Raz? Of course, I tailored my app to the existing Internet and pared it down to strictly the information and rating stuff and when I handed it off to him I said, “Try this Zuckerberg, but do no harm.” I think he stopped listening after he heard his own name. In fact, looking back today, I’m sure of it.

Guy Raz: But that phrase, “do no harm,” came in handy earlier, didn’t it? 

Satan: Yeah, it’s no secret that I’d been knocking around the West Coast tech scene since time immemorial. 

Guy Raz: In fact, that little piece of weather software was getting around, wasn’t it?

Satan: Yeah, it was a no-brainer. If your job is to sow chaos and foment change in the world, I couldn’t have asked for a better tool. In 1994, I gave Jeff the sales piece of the app up in Bellevue for a truckload of stock futures and …

Guy Raz: That’s Jeff Bezos. Is your hand visible in the designing of his rocket ships?

Satan: That’s right. Bezos. And, no, I don’t do rockets. Commercial ones anyway. I wish I could discuss North Korea’s rocket program but I signed an NDA — imagine that, tied up in a concept of my own invention.  All I can say is, that has been loads of fun.

Guy Raz: But you weren’t done, were you?

Satan: No. Cold and wet don’t do it for me. And Bellevue is the worst. Once I’d walked Jeff through the basics of selling online, I moved south. He’s a quick study and I was sure my investment was safe. Just before we parted ways, I turned to Bezos and said, “This thing will blow up big in the future — all you need is one good pandemic to keep everyone home — but do no harm.”

I don’t think he heard a thing I said after “pandemic.”

Guy Raz: But eventually your admonition to “do no harm” fell upon receptive ears.

Satan: Yeah, in a way. I said the same thing to Sergey and Larry in 1998 but I was feeling like a broken record. They heard it, made a big deal about it — turned it into a virtue-signaling marketing tool — but honestly, I don’t think they ever knew its true meaning.

Still, the return on investment has been phenomenal.

Guy Raz: So your real talent has been investing in promising startups, handing them divinely-inspired technology, and reaping the rewards down the road.

Satan: Yeah, you could say that.

Guy Raz: Which begs the question: Microsoft? Apple? Craigslist? Who else have you had a hand in developing? 

Satan: OK, great question. But let’s get one thing straight: I’m not the only fallen angel playing in this game. There were seven at the start. Now, I’m not saying that Moloch, Chemosh, Dagon, Belial, Beelzebub, and Lucifer are all in tech. There are other games out there — the stock market and finance, Hollywood and the record industry, Big Oil, Evangelical Christianity, and the offroad automobile industry just to name a few. 

It isn’t easy nurturing stability while sewing chaos. It is a big world. You’ve got to approach it from a lot of different angles. Or angels. Heh. Heh.

Guy Raz: Good one. So, here you are, as wealthy as Croesus …

Satan: Wealthier. He’s chump change in comparison.

Guy Raz: Ok, wealthier than Croesus. You don’t need to work now. I suspect that charity and good works aren’t your things. What does the future hold?

Satan: I’m keeping my hand in a few side-projects. Venture capital investment for one. We’ve done a good number on the newspaper industry but there are so many fields ripe for takeover and dismantling — Big Oil and Gas, for one, in about a decade. Maybe less.

I’m also working on a recording career. I still haven’t lost that original corporeal spark from the 1960s. I have an incredible band. It has a few names that will shock the living daylights out of you. People whose careers you thought were, well, were long dead. That’s all I can say about that.

Guy Raz: Well that’s an intriguing note to leave this interview on. However, I have to ask one more question: If you were a young man or woman with entrepreneurial ambitions today, in what direction would you go? 

Satan: Great question, Guy, but remember my original goal was to date girls, not sow the seeds for the future destruction of mankind. That has all just been gravy.

I guess you’d have to ask yourself, “Why are all the richest men building rocket ships to get off Earth? What do they know that I don’t?” Once you figure that one out, you’ll know. Follow the money. Even if it is into space.

Standard
Memoirs -- fact and fiction, Rants and raves, San Miguel de Allende, Writings

Thich Nhat Hanh was the right monk at the right time — then came 9/11

Tich Nhat Hanh

A good friend invited me to spend a Sunday in Balboa Park with a Buddhist monk named Thich Nhat Hanh. I knew very little of him but Sundays in September in San Diego can be glorious and there are few better places than the park for them.

I think it was promoted as a Day of Mindfulness, another subject about which I knew very little.

The day was pretty much a total immersion. We were blissfully adrift in a gentle sea of brown-robed Buddhist monks and nuns. There were dharma talks and long periods of meditation. Some were led by Thay in his soft, barely audible whisper of a voice. Some were led by his followers.

Continue reading →
Standard
photography, San Miguel de Allende

Ballpark Posada celebration is a home run for San Miguel kids, parents & ex-pats alike

One minute a bunch of San Miguel youngsters are rounding the bases and heading for home in a lively baseball game against their parents. Moments later, they are rounding the same bases in single file, carrying a creche on a platform and singing the traditional songs of the Posada.

And shortly after that, the kids were back swinging a bat — only this time at a candy-filled pinata.

In between the Posada and the pinata?

Continue reading →
Standard
Rants and raves, San Miguel de Allende, Writings

Movie review: “A Boy Called Christmas” lives up to his name & a holiday film classic is born

The Christmas origin story has taken a real beating on television in recent years.

The film factories don’t follow a script. The have a playbook. There are fixed characters, types. There are predictable situations. There are tried and true bromides. There are fixed plays. And there are utterly predictable endings in which the “true meaning” of Christmas is disgorged just before credits roll.

And the sudden appearance of the much-anticipated snowfall at the end is a complete surprise to everyone but the audience.

Continue reading →
Standard
San Miguel de Allende, Writings

A menorah with a message is lit for the first night of Chanukah in Parque Juarez

Rabbi Daniel Huebner of Chabad San Miguel de Allende lights the first candle on the community menorah on Sunday evening in Parque Juarez. A lit candle will be added on each of the following seven nights for the Chanukah celebration.

Happy Chanukah, my friends. Or Hanukkah.

Sunday night was the first night of Chanukah — the Festival of Lights — and the lighting of the first candle of the menorah. The Chanukah celebration is observed for eight nights and days, with a new candle being lit each evening.

I know all this because I was walking Moppit in Parque Juarez when I happened upon members of Chabad San Miguel de Allende lighting the community menorah in the park’s gazebo.

I missed most of the dedication, but I happened upon the gathering just as Rabbi Daniel Huebner was explaining the significance of this year’s menorah, created by artist Meila Penn.

Continue reading →
Standard
Memoirs -- fact and fiction, San Miguel de Allende, Writings

Semper Fi, Dad. Semper, Fi.

Robert J. Hawkins, U.S.M.C. medical corpsman in World War II

The machine-gun fire came out of nowhere, the way it is supposed to in war.

Or so it seemed to the Marines who were caught in an open field next to a presumably abandoned farmhouse. Incorrectly presumed empty, as it turned out.

The carelessness cost the platoon one soldier. He lay on the ground about 10 yards away from the stone wall behind which his comrades took refuge.

He was still alive. They could hear his agonizing cries for help. They could see him, lying there out in the open.

The squad’s 19-year-old medical corpsman had already seen his share of death and savage injuries since their battalion had waded ashore on the island of Saipan. And now, more of the same on the neighboring island of Tinian.

During the initial bloody assault on Saipan, the corpsman was encountering a dead or wounded Marine every 10 yards or so, by his estimate. This made his progress slower than the other Marines. They relentlessly pushed the enemy to the other side of the island and the sea, leaving a trail of dead and wounded for the corpsman to sort out.

He’d already taken grenade fragments in his hand, leg, and shoulder —  for which he’d eventually get the Purple Heart.

Continue reading →
Standard
photography, Rants and raves, San Miguel de Allende, Writings

An art project grows in San Miguel de Allende

I love this Bug.

It’s like something out of a Disney/Pixar movie where a once-beloved and cuddled family Bug grows old as the family grows up and is eventually abandoned in the Shed of Lost Car Souls where it withers, rusts, and decays for decades until the troubled teenage grandson discovers the car and with loving assistance from grandpa restores the Bug, restores his own self-confidence, and restores grandpa’s long-lost memories as he regales his grandson with tales of family road trips and adventures in this very same car — and in the end, grandpa and grandson trundle down the road in their magnificently restored Bug on the Mexican road trip of their lives.

Or, maybe not.

Continue reading →
Standard
photography, San Miguel de Allende

On Dia de Los Muertos, even the dead love a good parade

Traffic finally emptied on the Ancha at 8 p.m. Monday and down the broad street, and out from the Rosewood resort, streamed hundreds of Catrinas, Catrinos, ghouls, skeletons, and even an underworld creature or two.

And they came on fast — as if all the pent-up energy from last year’s cancelled parade was unleashed atop this year’s and resulted in a headlong rush to the finish.

The crowd where Nemiseo Diaz meets the Ancha was so thick and eager that costumed paraders had to run a tight gauntlet, elbowing their way to the merger point.

It wasn’t so much a parade as a fast jog of the living dead in glorious technicolour and fabulous costumes. They marched, they merged, they posed for pictures, they trundled up Zacaterous, turned onto Canal and cascaded into the Plaza Principal where the crush of Catrinas and onlookers must have been something else.

Continue reading →
Standard
photography, San Miguel de Allende

Opening soon: City Market Photo Galleria – Mart for art’s sake

Plus: The 10 Commandments for successfully shooting City Market

Also, how Prince Valiant’s graphic art layout can help tell your story

Congratulations, San Miguel Facebookeers! You are creating a new photography genre — City Market Art. Your orgasmic uploading of scores of images from the newly opened high-end supermarket “experience” has been a visual feast worthy of the artfully displayed departments of bread, fish, wine, vegetables, chocolates, and meats.

This is commercial exhibitionism at its finest.

Because you are all so good — and prolific — I am proud to announce the first-ever open invitational online gallery of the year’s best City Market images. I will create a gallery page for your very best images and keep posting new ones through the end of the year.

By which time we should all feel we’ve fairly well exhausted the subject …

Don’t let your best images languish on a single Facebook post, only to disappear in the relentless and voracious feed cycle. Let me offer you a slice of immortality!

Send images to robertj.hawkins2012@gmail.com — and be sure to include your name (for credit) and a little something about each image. Sorry, this is all for the glory. There is no compensation, honorarium, prizes, or lecture chairs to be gained. The images remain yours and yours alone. I promise to put your name in bold face type.

They will be lovingly posted and curated in the order in which they arrive, on a timely basis.

Be selective. Send your favorites. Volume is not art. And I am only one guy. Send a few at a time, or only the one you really really like!

Be creative. Edit. Photoshop. Play with images. Create compositions. Express yourself through your images. Be irreverent. Be ironic. Be playful. Make a statement. Have some fun. Get serious. Make art. Make commerce.

Maybe there will be artistic or psycho-sociological revelations to be had by the end of the year. Who knows until we try, eh?

City Market Photo Galleria will open when enough images arrive. It will only take a few to launch

Meanwhile …

The 10 Commandments — urgent suggestions, mostly — for getting the best out of your City Market photo shoot.

Pro-tips for the several thousand San Miguelians photographing the new City Market with your cell phones and posting on Facebook:


1. Occasionally incorporate foreground objects for perspective.

2. Compose your picture within the frame before you shoot. Crop before you publish.

3. Create a composition that tells a story: Isolate your subject — say, the wine cellar, or the chocolatier, or the fish monger’s. Then compose three shots — a closeup (detail), a middle-ground, and a panoramic. (Think of the “Prince Valiant” Sunday comics spread. See some examples at the bottom of the page.).

4. Vary the perspective — sometimes you need to get down on one knee or raise the camera above your head, or get your nose into that school of sea bass swimming in a bed of ice. Don’t always shoot straight down into the cold shrimp.

5. Look for interesting patterns, artful combinations, playful images. City Market begs you to be ironic.

6. Volume is information but it is not art.

7. It is not all food porn, but it doesn’t hurt to “think sexy” when you shoot. City Market is commercial exhibitionism at its best. Roll with it.

8. Your cell phone has amazing photo editing capabilities. Yes, yours. Sit down and order a coffee and play with your pictures before posting.

9. Put people into your images. So far, most images have looked like the store is a lovely sexy empty mausoleum.

10. Keep those photos coming!

And here’s some old Prince Valiant Sunday comics that I promise. Harold Foster was famous for using the three visual elements — closeup/detail, middle ground, and panoramic — to tell a whole story in one page. Newspaper photographers have used that same technique for decades.

Standard
Memoirs -- fact and fiction, Rants and raves, San Miguel de Allende, Writings

Poor souls, lost their marbles on the cobblestone streets of San Miguel de Allende

When I walk the cobblestone streets of San Miguel de Allende, usually early mornings with Moppit the philosopher dog, I find things.

It is not that I am scouring between the cracks and crannies. It is just that cobblestones can be treacherous and if you are not attentive to your footsteps, well, you can fall.

There is a joke about the number of ex-pats who walk around this hilly town with canes — but I forget how it goes.

Cobblestone streets are the tide pools of very old cities. They tend to trap small and delicate things in the spaces between rocks, much the same way that tide pools trap small fish, snails, squid and pirates’s treasure. Especially after it rains.

Continue reading →
Standard