So here we are now at 6,200 feet enjoying incredibly mild weather yearlong, a severe drought and growing water shortage, unrestrained development, and a once-exuberant city that has almost withered away under the relentless grind of Covid restrictions.
Signs of life are returning to San Miguel de Allende.
A pandemic of new murals all over San Miguel de Allende, many with iconic images from pop culture and high art, carry a simple message: Put on a mask.
If Frida, Vincent van Gogh, Vermeer’s “Girl With a Pearl Earring,” Klimt’s stylish “Lady in Gold,” and da Vinci’s mysterious “Mona Lisa” and her Botero-esque alter-ego can put on masks — and look fabulous — so can we.
That’s the hope, anyway, of the city’s Directorate for Culture and Tradition which has sponsored the creation of the 10 murals.
A curator searches through his or her museum’s basements, files, archives, vaults, hallways, and subterranean sanctorums in search of pieces that support an important theme or idea.
The hope is that, as a whole, a curated show will tell a story or bolster an idea. A curated show is more than a theme — say for example, pictures with something red in them.
There is no doubt that during self-isolation, we have changed. As our lives slowed down, our perception has improved. I dare say that we are all seeing, feeling, hearing, loving, fearing in ways our previously busy, noisy, distracting, and demanding lives would not permit.
“I am brought to campus for a three-day interview. I am shown the library I’ll never have access to, and introduced to students I’ll never teach. I shake hands with faculty I’ll never see again. I describe in great detail the course on fairy tales I’ll never offer.” Continue reading →