If you think there is a punchline, the chaconne is on you.
Actually, it was the “Chaconne in G minor” by Thomaso Antonio Vitali and the pianist was Dominic Cheli in his return performance after two years away to San Miguel de Allende on Friday night at St. Paul’s Church.
Pro Musica kicked off its new season with a phenomenal duet, Adam Sadberry on flute and Chloe de Souza on piano.
We had a discussion the other night about High Season. Specifically, how do you know when it begins?
Somebody suggested you know when you can’t get a table at a restaurant you’ve been walking into for the past five months. Someone else thought Dia de los Muertos was the line of demarcation. Perhaps it’s when you can get an Uber every day of the week.
I decided that today officially marks the beginning of the “busy season.”
And the marker is the Pro Musica classical music concert series.
#1 Emotional tempo upon awakening: Andante con moto.
#2 MOTIVATION: Beethoven’s Piano Sonata No. 23 in F Minor Op. 57 (“Appassionata”) played by Claudio Arrau in Berlin 1970. Blissful 26-minute journey.
#3 MEDITATION: Bach’s Toccata and Fugue in D minor retooled for flute by Jean-Claude Veilhan and performed by Helene Schulthess inside the 800-year-old Swiss church of St. Peter in Mistail. Schulthess uses the church’s impenetrable walls and echoes to create beguiling depth for the nearly 10-minute composition.
It reminds me (only slightly, but just enough) of Paul Horn’s “Inside” (1969), A jazz flutist, Horn took his instrument and some recording equipment inside the Taj Mahal and used the building’s echoey acoustics as his backup band. Continue reading →