San Miguel de Allende, The Week in SMA

Go ‘Figero’: A night at the opera that’s right on the Marx (Harpo, Chico, Groucho …)

There is a comedy – a musical sitcom – about a powerful man who believes he has the right to do whatever he wants to women. 

It’s a sequel, in fact, that gives off a sort of a bro-boy’s “Your body, my choice” vibe.

But the women in this comedy are smart and savvy, with a sort of a “Me too” vibe. They know how to stand up to power in clever ways. They know how to work the angles on the patriarchy.

And, no, it is not called “Trump’s Second Term.”

The musical is actually an opera and it was written in 1786. A huge hit in its day. Now, it is considered one of the greatest operas of all time. 

Apparently, things haven’t changed all that much in the last 239 years.

The opera is Mozart’s “The Marriage of Figaro” with a libretto by Lorenzo Da Ponte.

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Reviews, San Miguel de Allende

Cellist Alexander Hersh returns to SMA

What’s a musician to do when his iPad goes blank in the middle of a concert?

I’ll tell you.

Because it happened last July at St. Paul’s Church in the midst of an audaciously good performance by cellist Alexander Hersh and pianist Evren Ozel.

I can’t recall if it was Debussy’s Cello Sonata, or Dohnanyni’s “Ruralia Hungarica,” or the Cello Sonata from Chopin.  

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Reviews, San Miguel de Allende, Writings

Pro Musica’s opening concert sets a high mark for the coming season

Pro Musica kicked off its new season with a phenomenal duet, Adam Sadberry on flute and Chloe de Souza on piano.

We had a discussion the other night about High Season. Specifically, how do you know when it begins?

Somebody suggested you know when you can’t get a table at a restaurant you’ve been walking into for the past five months. Someone else thought Dia de los Muertos was the line of demarcation. Perhaps it’s when you can get an Uber every day of the week.

I decided that today officially marks the beginning of the “busy season.”

And the marker is the Pro Musica classical music concert series.

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San Miguel de Allende

San Miguel’s Pro Musica Youth Orchestra is back, with a holiday concert in a new setting

The Pro Musica Youth Orchestra is back after a 20-month hiatus because of the pandemic and the tragic loss of the orchestra’s founder and Pro Musica vice president, Tim Hazel, who passed away on Feb.3 from stomach cancer.

An exciting new youth music director and conductor, Robert Mari, has assumed the podium and the popular orchestra has been in rehearsal for more than a month.

To celebrate the return of the orchestra, Pro Musica has set its first concert for Sunday 12 December 2021 at 3 pm. This will take place outdoors with socially distanced seating in the delightful gardens of the Arts School of the Instituto Allende on Ancha de San Antonio.

The youth orchestra’s previous home, in the Belles Artes complex, has yet to re-open. In the old days, Hazel would conclude each concert with a wry tale of his need to feed his 12 children — or 8 or 6, it varied. A scruffy straw hat with a pink ribbon would be passed among the audience and the money, of course, went to supporting the orchestra which grew in size and capability over the past three years.

Now, Pro Musica is asking for a $300 peso donation from attendees. Tickets can be purchased through the Pro Musica website at  www.promusicasma.org . Proceeds will go to the orchestra members, according to Pro Musica.

“This will be a wonderful opportunity for you to show your support for the orchestra under its new conductor and to see how the young musicians are performing,” says Michael Pearl, president of Pro Musica, in a press release. “I have attended rehearsals of the orchestra and they are sounding excellent.”

The program will include works by Mozart and Haydn.

The centerpiece of the concert will be Mozart’s wonderful Symphony No. 35 in D major, the “Haffner”, written in 1782. And just for fun, ours and theirs, the orchestra will also play Mozart’s K.552, known as “A Musical Joke”. (A loose translation of the German title, “Some Musical Fun.”) The work satirizes other composers’ styles and is “a masterclass in using wrong notes and compositorial comedic devices.”

Pro Musica calls it, “an ideal piece for a youth orchestra.”

From Haydn, the orchestra draws on his Symphony 99 in E-flat major, written in 1793 in Vienna for performance during his second visit to England. It is the seventh of the ultimately twelve “London” symphonies.

This will be followed by the “Toy” symphony. This 18th-century work is variously attributed to Joseph Haydn, Leopold Mozart, Michael Haydn, and Edmund Angerer. As the title suggests, the performance includes various “toy” instruments, such as a toy trumpet, a ratchet, and bird calls. 

The Canadian native Robert Mari conducted the Cowichan Consort Orchestra and Choir starting in 2011 and recently retired. He is no stranger to youth orchestras, having started his own studies at age 3 on the piano. He first performed in public at age 5 and conducted his first symphony at age 13.

He holds masters and doctorate degrees in music and orchestral conducting respectively from the Peabody Institute of Johns Hopkins University among other music-related studies. He is a composer, recording artist, conductor, and performer.

You can read the entire program for the Sunday concert here.

(Correction: The post originally said Robert Mari has been with Pro Musica since 2011. He is just beginning a new career with Pro Musica. My apologies for the error.)

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San Miguel de Allende

Met Opera regional finalists concert was the night of the sopranos in San Miguel

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Metropolitan Opera regional finalists and program producer Rodrigo Garciarroyo accept the ovations after an encore performance Sunday night at St. Paul’s Church in San Miguel de Allende.

“Something wonderful is happening here,”  said Rodrigo Garciarroyo last night, after eight of Mexico’s finest young opera singers performed for more than two and a half hours before a very full house in St. Paul’s Church last night.

Producer and host Garciarroyo is a big man, in size and personality, and I don’t think he is given to understatement but then, we were all reaching for superlatives after this concert.

And all of us felt we were coming up a bit short. Continue reading

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