San Miguel de Allende

Festival of the Arts San Miguel de Allende starts Friday — let the feast begin!

Eduardo Adame’s gigantic sprawling, eclectic, cultural “potluck party” is about to begin. 

A “potluck” is how Adame described the third edition of the two-week-long Festival of the Arts San Miguel de Allende (FASMA) in May, when he was pulling together global and homegrown artists, musicians, singers, actors, poets, photographers, craftsmen, and the like for the showcase.

“Everyone is invited to bring the best that they can do – and invite their friends,” he said back then, expanding on the analogy

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San Miguel de Allende, Uncategorized

FASMA2025 is more than a festival; it is a feast served up by local arts and culture groups

Read the latest on FASMA 2025 here.

The third edition of the San Miguel de Allende Festival of the Arts (FASMA2025) is coming in August and will offer more than 100 events from scores of local arts and culture organizations.  Music, theater, opera, film, dance, literary and plastic arts programs will be presented in many of San Miguel’s finest venues, Aug. 1-17.

Individually, these are the kinds of events for which this city is famous around the world.

Collectively, this is an opportunity for San Miguelians to sample the many lively, beautiful, and inspiring performance programs that make up the fabric of this community.

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Memoirs -- fact and fiction, San Miguel de Allende, Writings

Soon to be on Netflix, ‘Ma Rainey’s Black Bottom’ brings back some violent memories

Chadwick Boseman is Levee in “Ma Rainey’s Black Bottom.” It was his last performance as an actor before passing away in August.

Netflix begins streaming  “Ma Rainey’s Black Bottom” on December 18. The August Wilson play has enjoyed an excellent life on Broadway and beyond. And for good reason. It is a powerful creation. 

I think that in the Denzel Washington-produced movie we will see what a treasure and tragic loss was the death of Chadwick Boseman in August. This was his last performance.

This most recent news from Netflix sends me back nearly to the creation of the play, in 1982.

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