Eduardo Adame’s gigantic sprawling, eclectic, cultural “potluck party” is about to begin. 

A “potluck” is how Adame described the third edition of the two-week-long Festival of the Arts San Miguel de Allende (FASMA) in May, when he was pulling together global and homegrown artists, musicians, singers, actors, poets, photographers, craftsmen, and the like for the showcase.

“Everyone is invited to bring the best that they can do – and invite their friends,” he said back then, expanding on the analogy